Tuesday, November 30, 2010

Week 3 Poem 1: O, Were I Loved As I Desire To Be! by Lord Alfred Tennyson

O, were I loved as I desire to be!
What is there in the great sphere of the earth,
Or range of evil between death and birth,
That I should fear, - if I were loved by thee!
All the inner, all the outer world of pain,
Clear love would pierce and cleave, if thou wert mine;
As I have heard that somewhere in the main
Fresh-water springs come up through bitter brine.
'I were joy, not fear, clasped hand in hand with thee,
To wait for death - mute - careless of all ills,
Apart upon a mountain, though the surge
Of some new deluge from a thousand hills
Flung leagues of roaring foam into the gorge
Below us, as far o­n as eye could see.

Sunday, November 28, 2010

I Am Much Too Alone in This World, Yet Not Alone

I am much too alone in this world, yet not alone enough

to truly consecrate the hour.
I am much too small in this world, yet not small
enough
to be to you just object and thing,
dark and smart.
I want my free will and want it accompanying
the path which leads to action;
and want during times that beg questions,
where something is up,
to be among those in the know,
or else be alone.

I want to mirror your image to its fullest perfection,
never be blind or too old
to uphold your weighty wavering reflection.
I want to unfold.
Nowhere I wish to stay crooked, bent;
for there I would be dishonest, untrue.
I want my conscience to be
true before you;
want to describe myself like a picture I observed
for a long time, o­ne close up,
like a new word I learned and embraced,
like the everday jug,
like my mother's face,
like a ship that carried me along
through the deadliest storm.

How Come? by Ray LaMontagne

People o­n the street now
Faces long and grim
Souls are feeling heavy
And faith is growing thin
Fears are getting stronger
You can Feel them o­n the rise
Hopelessness got some by the throat you can see it in their eyes
I said how come
How come
Everybody o­n a shoestring
Everybody in a hole
Everybody crossing their fingers and toes
Government man spin his politics till he got you pinned
Everybody trying to reach out to each other
But they don't know where to begin
I said how come
I can't tell
the free world
from living hell
I said how come
How come
all I see
is a child of god
in misery
I said how come the pistol now as profit
The bullet some kind of lord and king
But pain is the o­nly promise that this so called savior is going to bring
Love can be a liar
And justice can be a thief
And freedom can be an empty cup from which everybody want to drink
I said how come
I can't tell
the free world
from living hell
I said how come
How come
all i see
is a child of god
in misery
I said how come
Its just man killing man
Killing man
Killing man
Killing man
Killing man
I don't understand
Its just man killing man

Sunday, November 21, 2010

In Trouble and Shame by D.H. Lawrence

I look at the swaling sunset
And wish I could go also
Through the red doors beyond the black-purple bar.

I wish that I could go
Through the red doors where I could put off
My shame like shoes in the porch,
My pain like garments,
And leave my flesh discarded lying
Like luggage of some departed traveller
Gone one knows not where.

Then I would turn round,
And seeing my cast-off body lying like lumber,
I would laugh with joy.

Sunday, November 14, 2010

Ozymandias by Percy Bysse Shelley

I met a traveller from an antique land,
Who said -- "two vast and trunkless legs of stone
Stand in the desert ... near them, o­n the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lips, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped o­n these lifeless things,
The hand that mocked them, and the heart that fed;
And o­n the pedestal these words appear:
My name is Ozymandias, King of Kings,
Look o­n my Works ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away."

Thursday, November 11, 2010

With No Experience in Such Matters by Stephen Dunn

To hold a damaged sparrow
under water until you feel it die
is to know a small something
about the mind; how, for example,
it blames the cat for the original crime,
how it wants praise for its better side.

And yet it's as human
as pulling the plug o­n your Dad
whose world has turned
to feces and fog, human as--
Well, let's admit, it's a mild thing
as human things go.

But I felt the o­ne good wing
flutter in my palm--
the smallest protest, if that's what it was,
I ever felt or heard.
Reminded me of how my eyelid has twitched,
the need to account for it.
Hard to believe no o­ne notices.

Monday, November 8, 2010

Poem For People That Are Understandably Too Busy To Read Poetry by Stephen Dunn

I thought this a fitting poem with which to begin. Please respond after reading without duplicating others' responses. If you are unable to comment for some technical reason, please email me at panuck@gmail.com and describe your problem. We need to work out the kinks as soon as possible.

Have fun and good luck.

Relax. This won't last long.
Or if it does, or if the lines
make you sleepy or bored,
give in to sleep, turn o­n
the T.V., deal the cards.
This poem is built to withstand
such things. Its feelings
cannot be hurt. They exist
somewhere in the poet,
and I am far away.
Pick it up anytime. Start it
in the middle if you wish.
It is as approachable as melodrama,
and can offer you violence
if it is violence you like. Look,
there's a man o­n a sidewalk;
the way his leg is quivering
he'll never be the same again.
This is your poem
and I know you're busy at the office
or the kids are into your last nerve.
Maybe it's sex you've always wanted.
Well, they lie together
like the party's unbuttoned coats,
slumped o­n the bed
waiting for drunken arms to move them.
I don't think you want me to go o­n;
everyone has his expectations, but this
is a poem for the entire family.
Right now, Budweiser
is dripping from a waterfall,
deodorants are hissing into armpits
of people you resemble,
and the two lovers are dressing now,
saying farewell.
I don't know what music this poem
can come up with, but clearly
it's needed. For it's apparent
they will never see each other again
and we need music for this
because there was never music when he or she
left you standing o­n the corner.
You see, I want this poem to be nicer
than life. I want you to look at it
when anxiety zigzags your stomach
and the last tranquilizer is gone
and you need someone to tell you
I'll be here when you want me
like the sound inside a shell.
The poem is saying that to you now.
But don't give anything for this poem.
It doesn't expect much. It will never say more
than listening can explain.
Just keep it in your attache case
or in your house. And if you're not asleep
by now, or bored beyond sense,
the poem wants you to laugh. Laugh at
yourself, laugh at this poem, at all poetry.
Come o­n:

Good. Now here's what poetry can do.

Imagine yourself a caterpillar.
There's an awful shrug and, suddenly,
You're beautiful for as long as you live.